Tag: Post Punk

1985, Music

The Head on the Door (1985) by The Cure

My general appreciation of The Cure keeps running into problems. The problem is that I had their singles collections for years and listened to them fairly regularly but didn’t get around to their albums until recently. And now I listen to them haphazardly: one from the early ’80s here, one from the mid ’80s there, …

1980, Music

Crocodiles (1980) by Echo and the Bunnymen

Maybe it’s when I came to the Bunnymen but I am constantly underwhelmed by a band that most consider one of the pillars of British Post Punk (a genre I love). They always remind me of other bands (both past and contemporary) and I find myself wondering what’s with all the hype. (Someone once claimed …

1985, Music

Fear and Whiskey (1985) by Mekons

This record is credited by many as the birth of alt country. (Funnily enough, a record by an American band released exactly five years later is also credited as the birth of alt country…) I’m not sure that’s true for more than a few reasons, but it’s still a remarkably unique post punk record, especially …

1985, Music

Low-Life (1985) by New Order

I generally don’t like and don’t get the gradual drift tin dance music of so many of the trailblazers and followers of the initial wave of post punk. It doesn’t make much sense to me to be excited by the possibilities of punk, and want to expand it, and then to decide that what you …

1980, Music

Seventeen Seconds (1980) by The Cure

I can’t actually recall if I’ve ever listened to Three Imaginary Boys. I don’t think I have but I can also imagine listening to it once and deciding there was no point to include it, given its reputation. I have listed to Faith on the other hand and I did not enjoy it when I …

1985, Music

Meat is Murder (1985) by The Smiths

One of two things is happening: either I am slowly – slowly – getting so inured to The Smiths that I no longer hate their guts – or I have listened to enough of the British music of the 1980s to finally understand why people thought they were such a big deal. I still don’t …

1980, Music

Orchestral Manoeuvres in the Dark (1980)

As I listen to evermore synthpop my dislike of the genre is falling away, as I realize that there are songwriters hiding behind the synthesizers, and electronic bass and drums, and the more I discover this, the more I like some of these bands. OMD are one of the innumerable ’80s British bands who were …

1995, Music

The Great Annihilator (1995) by Swans

I am still far from a Swans expert – though I have seen them in concert! – but I feel compelled to echo the comments of others about how this record feels either like “more accessible Swans” or some kind of hybrid of their ’80s sound with a more traditional approach to songwriting (at least …

1979, Music

Real to Real Cacophony (1979) by Simple Minds

How synthpop and the New Romantic movement evolved out of punk via post punk has always been one of the most confusing parts of recent popular music history, at least to me. But it’s records like this, caught somewhere in the middle (of punk and synthpop), that make that whole evolution a little more clear.

1979, Music

Cut (1979) by The Slits

I am having a hard time thinking of this band as something more than “not the Raincoats” or “lesser Raincoats”. And that’s utterly ridiculous. A quick google will demonstrate that this album came out two months before the Raincoats’ debut album. And it’s not either band’s fault that I have listened to multiple Raincoats albums …

1979, Music

Join Hands (1979) by Siouxsie and the Banshees

The problem with listening to much of band’s catalogue before listening to their early records is that those early records inevitably sound primitive or immature (or both) in comparison. And that was very much my first impression of this record when I listened to it, as if I was listening to the Banshees before they …

1979, Music

Drums and Wires (1979) by XTC

I maintain that the Atlantic created a pretty different sonic difference between American and British New Wave and and, later, American and British Post Punk. With New Wave that gulf is so big that it almost feels silly to call them the same genre; compare to Elvis Costello or the Police to Pere Ubu and …

1984, Music

Double Nickels on the Dime (1984)

The Minutemen’s magnum opus is really a magnum opus, coming in at a fairly ridiculous 45 tracks in 81 minutes. (That runtime is longer than Zen Arcade by over 10 minutes…) The band basically admits they included virtually everything they had, dubbing the final side “Chaff”. This is supposed to be a record by a …

1984, Music

Hyaena (1984) by Siouxsie and the Banshees

Reading about this album, it’s absolutely incredible how much ink was spilled over Robert Smith’s involvement. Even though it sounds like the Banshees (much more than the Cure) and even though Smith’s involvement in the songwriting is not explicitly laid out (perhaps because of this), the critics of the time attribute basically everything they like …

1989, Music

Disintegration (1989) by The Cure

“Disintegration is the best album ever!” says Kyle at the conclusion of “Mecha-Streisand” from the first season of South Park. I don’t know if I was even 17 yet when I first watched that episode and heard those words. I didn’t know much about the Cure, beyond the fact that Robert Smith could save the …

1979, Music

Live at the Witch Trials (1979) by The Fall

Debut albums can be quite hit and miss. Most bands do not record their first album with a completely unique sound. The unique debut albums we do remember which stick out do so because they are so rare. Most bands’ debuts are not only not their best albums, but don’t capture them doing something wholly …

1984, Music

The Smiths (1984)

The British music critic establishment and whomever else greeted this band as saviours must have been so desperate for guitars to greet this band – this jangle pop music – as the thing to deliver them from synthesizers, instead of something louder or more interesting (or both). The Smiths are one of those mystifying bands …

1974, Music

Sparkle in the Rain (1984) by Simple Minds

What do you do when you’ve heard one band your whole life and not another, and then you hear the second band and they sound a lot like the first? But, the thing is, the second band was actually first, and really doesn’t sound that much like that first band.