Tag: Neo Psychedelia

1981, Music

East Side Story (1981) by Squeeze

Can I admit something to you? I thought “Tempted” was from the ’60s. Of course, if I’d really listened to it, I might have noticed it wasn’t. But I became familiar with it when I was young and before I had an ear that could spot time and genre differences. And I guess I just …

1991, Music

Mama Said (1991) by Lenny Kravitz

I get why people like Lenny Kravitz. I think there was probably a time in my life when I could have quite liked Lenny Kravitz. (And maybe, for a while, I sort of did.) And maybe, had I not become the music history obsessive that I am, I would like him to this day. But …

1990, Music

Nowhere (1990) by Ride

I’ve never gotten shoegaze, it’s just not anything that appeals to me on a fundamental level. Some of this comes from the nature of the genre – pop music drowning in distortion is still pop music – and part of it I’m pretty sure comes from not seeing it live at the time it was …

1980, Music

Kilimanjaro (1980) by The Teardrop Explodes

It’s funny what gets labeled “psychedelic”, especially when music wasn’t particularly psychedelic. I’ve never heard this band before – though I’ve heard Cope’s solo music but the label “neo psychedelic” really steers one the wrong way. Yes, it’s a spectrum, but this is pretty typical 1980 British post punk with a couple of major differences: …

Music

See You on the Other Side (1995) by Mercury Rev

Transition albums often have a bad rap. Of course, we usually only know they are transition records in hindsight so it must be that we retroactively apply the term. That or maybe some critic guesses extremely well at the time. (I really doubt it, though.)

1980, Music

Crocodiles (1980) by Echo and the Bunnymen

Maybe it’s when I came to the Bunnymen but I am constantly underwhelmed by a band that most consider one of the pillars of British Post Punk (a genre I love). They always remind me of other bands (both past and contemporary) and I find myself wondering what’s with all the hype. (Someone once claimed …

1995, Music

Fun Trick Noisemaker (1995) by The Apples in Stereo

My understanding is that this is the first Elephant 6 album. So, for people who care about such things, that’s a really big deal. For the rest of us, it’s certainly much less of a big deal. Moreover, the degree to which The Apples in Stereo truly represent that beloved “lo fi indie pop” aesthetic …

2000, Music

The Discovery of a World Inside the Moone (2000) by The Apples in Stereo

I read that this was an attempt by Apples in Stereo to sound more like they do on stage, so it’s rawer than normal. I’ve heard one of their earlier albums – Tone Soul Evolution – but I don’t remember it. But reading my review that sounds like it might be true. But it’s kind …

1990, Music

Pills ‘n’ Thrills and Bellyaches (1990) by Happy Mondays

I’ve listened to a few madchester/baggy albums at this point and it’s safe to say that I just don’t get the genre. Now, I get very few dance-rock hybrids outside of Talking Heads’ version of that kind of thing, but this one I find particularly perplexing.

1985, Music

Around the World in a Day (1985) by Prince and The Revolution

I suspect the degree to which I like this album is heavily influenced by the narrative around it, and my lack of engagement with that narrative. Prince is a known iconoclast when I’m listening to this record for the first time. He’s done things such as change his stage name and fail to release completed …

1985, Music

Up on the Sun (1985) by Meat Puppets

The more that I listen to the Meat Puppets the more it feels like they are one of the foundational bands of American alternative rock, setting the template for what was acceptable. When I was young and first encountering alternative, it felt like the diversity was baked in but original. The more I listen to …

1989, Music

On Fire (1989) by Galaxie 500

Having heard Luna a bunch before this band, I found their debut, Today, a bit of a deja vu experience (with a lot more grime and feedback) but I tried to put that aside due to when that album was recorded. Listening to this roughly a year later, I still don’t know enough about the …

1994, Music

Definitely Maybe (1994) by Oasis

Loud electric guitars had been missing from British radio for a long, long time by the early 1990s. With the exception of U2 and the Smiths and a few other bands, there hadn’t been much popular guitar-based music for much of the previous decade. And when guitar-based music appeared, it often had synthesizers, gated drums …

1999, Music

The Beta Band (1999)

Sometimes you encounter something you don’t know at all and it just stuns you with something special about itself. In this case, it’s the irreverence and the extremely healthy disrespect for genres (which I’m a sucker for) of something like the lead-off track, “The Beta Band Rap”, which I just can’t get over. It takes …

1984, Music

Hyaena (1984) by Siouxsie and the Banshees

Reading about this album, it’s absolutely incredible how much ink was spilled over Robert Smith’s involvement. Even though it sounds like the Banshees (much more than the Cure) and even though Smith’s involvement in the songwriting is not explicitly laid out (perhaps because of this), the critics of the time attribute basically everything they like …

1989, Music

The Stone Roses (1989)

Somehow in my mind I confused the Stone Roses with the Happy Mondays so my initial listen was kind of confusing. Anyway… I have read that this is the record that started Madchester/Baggy but listening to the first side of it it’s certainly hard to understand. You have to get to the second half before …

1989, Music

Oranges & Lemons (1989) by XTC

I don’t know anything about XTC really, just that one of their early ’80s albums has been on my “to listen” list for a very long time. I sort of assumed they were a post punk band but knew basically nothing else. Not knowing anything was good, as it often is, because I didn’t see …

1988, Music

Mutations (1998) by Beck

I can imagine that, had I paid attention to Beck more when he first became popular, and only heard Mellow Gold and Odelay, and not his earlier “anti folk” records, this record might have knocked me on my ass. In retrospect it has far more in common with Sea Change than it does those records …

1988, Music

Peepshow (1988) by Siouxsiee and the Banshees

The opening song “Peek-a-Boo” really threw me for a lip – those samples are a massive departure from what I’m familiar with from this band. My initial impression of it was that they were trying to piggyback on the emerging sound of hip hop and electro which they didn’t understand and were failing terribly. That …

1983, Music

Porcupine (1983) by Echo and the Bunnymen

I really enjoyed Heaven Up Here and I perhaps had too-high expectations when I first listened to this record. The first time I heard it, I wasn’t feeling it. A lot of that had to do with listening to War for the first time in ages at the same time, as both records were released …

1998, Music

Moon Safari (1998) by AIR

Due to my podcast, I often find myself listening to music that is outside of my entirely wheelhouse and don’t know what to do with it. But sometimes I find an album like this where I recognize elements but I also don’t have the listening context to know why these elements arranged in such a …

1982, Music

A Kiss in the Dreamhouse (1982) by Siouxsie and the Banshees

I am really big fan of JuJu for many of the same reasons I like this record: there’s this balance between the dark. “gothic” lyrics and Siouxsie Sioux’s vocals, and the often shimmering neo-psychedelic guitar and sound effects. But I definitely get a sense of deja vu. And I get that sense even though this …