This is a relatively diverse set of pretty catchy alternative rock songs, most of which manage to sound unique enough to stand out from the sheer number of records like this.
Tag: Noise Pop
Transient Random-Noise Bursts With Announcements (1993) by Stereolab
I am familiar with what one might call “peak” Stereolab, the sound of the band in the mid 19990s. They are not a band I particularly enjoy but they are a band I respect, given their pretty much utterly unique fusion of styles. (They basically have their own genre, in many ways. And I wouldn’t …
Mezcal Head (1993) by Swervedriver
The thing I like about Swervedriver is their diversity; they are the rare shoegaze band that doesn’t seem determined to one thing and one thing only. (In fact, their diversity might call into question the shoegaze label.)
Boces (1993) by Mercury Rev
There is a time in my life where I would have just eaten this up.
Munki (1998)
I have always found these guys overrated, so I am wondering what I am doing here, listening to a later album of theirs that even the fans are divided over. I’m not even speaking to the one Mary Chain fan I know about this record. So what am I doing?
On the Mouth (1993) by Superchunk
By reputation, I always thought No Pocky for Kitty was the Superchunk album to listen to. Then I listened to it and, though I appreciated why people like it, I didn’t love. I see the RYM rating is higher for this one. I think I know why. I mean, maybe I know why.
Honey’s Dead (1992) by The Jesus and Mary Chain
I should never read anything before I listen to a record, especially a record by a band I don’t love. I heard why they called it Honey’s Dead and suddenly my head was filled of dreams of reinvention. But no, it’s still very obviously The Jesus and Mary Chain. Only this time they’ve gone Madchester …
No Pocky for Kitty (1991) by Superchunk
This is a set of solid songs that are uptempo and pleasantly loud. I get why this band was a big deal back then because, to my knowledge, this kind of straight-ahead abrasive power pop/pop punk was a relative rarity. But it’s not really my thing. It’s too one note for me, as much as …
Trompe Le Monde (1991) by Pixies
With hindsight this feels like a step between the earlier Pixies records and Frank Black’s solo career, which would make sense. To me, though, it suffers in that sense, lacking the strongest songs of either earlier Pixies records or Black’s early solo albums, but produced almost if it was one of his solo records. That’s …
Yerself is Steam (1991) by Mercury Rev
Mercury Rev combine recent goings on in Shoegaze with psychedelia (to a greater extent than the British Shoegaze bands that inclined that way) and a knack for poppy hooks. The result is a bizarre, perhaps too ambitious, crazy record that is better than anything the Lips had managed up till that point. (Why compare them? …
The Faming Lips and Heady Fwends (2012)
I want to make some kind of Supernatural joke but I can’t come up with one because I don’t watch the show.