I read about The Residents as a teenager and thought their origin story was really cool and then later I fell in love with the cover of Third Reich ‘n’ Roll and so I thought I would get around to listening to a bunch of their records. Nearly two decades later this is the second …
Tag: Noise Rock
A Taste of DNA (1981)
Like all No Wave this stuff is aggressively difficult. Lindsay’s guitar scratches and makes sounds some people probably didn’t no could come from a guitar. And his vocals are only a little more accessible, between yelling, shouting, speaking and yelping. The drums vary from being seemingly random to playing somewhat recognizable rhythms. As others have …
Plastic Ono Band (1970) by Yoko Ono
Lennon’s half of this record is my favourite post Beatles album and I think one of the great singer songwriter records of the 1970s. The fact that they recorded this (with one exception) at the same time is a tribute Lennon’s versatility in addition to being a great testament to Yoko Ono’s musical talent. (What, …
Lost Somewhere Between the Earth and My Home (1995) by The Geraldine Fibbers
YES Where has this band been all my life? I read about them ages ago and I just took my sweet time getting to them. And for that, I’m sorry.
Free Your Mind…and Your Ass Will Follow (1970) by Funkadelic
Over the last 20 years my tolerance of directionless jamming and freakouts has gone from very high to relatively low. (I say relatively because I still have a much higher tolerance than, say, your average pop listener.) And this is my biggest problem with some Funkadelic as, in the early days in particular, they could …
Goo (1990) by Sonic Youth
Sometime between their earliest albums and Daydream Nation Sonic Youth learned how to write melodies and, as importantly, learned how to swing. (Obviously this happened gradually.) And that development is perhaps nowhere more apparent than on Goo, their most accessible album to date.Sure, calling a Sonic Youth album ‘accessible’ is a relative thing, but it’s …
Pod (1990) by The Breeders
I can’ really decide what to do with this one. The songs are okay but I like the aesthetic. But I don’t like the production. I keep going back and forth.
Strap It On (1990) by Helmet
This is some aggressive and and aggressively loud but knotty post hardcore/alternative metal that should be sought out by anyone who is a fan of either genre, or who wishes hardcore bands were more accomplished musically or metal was weirder.
The Great Annihilator (1995) by Swans
I am still far from a Swans expert – though I have seen them in concert! – but I feel compelled to echo the comments of others about how this record feels either like “more accessible Swans” or some kind of hybrid of their ’80s sound with a more traditional approach to songwriting (at least …
Yank Crime (1994) by Drive Like Jehu
This is one of those bands who put out very little music but you hear a lot about. There’s always a danger with these bands that expectations will get in the way. Fortunately for me, I had totally forgotten about them when I got around to listening to this record. (As usual, I have somehow …
Public Image First Issue (1978) by Public Image Ltd
Simon Reynolds begins his definitive history of post punk, Rip It Up and Start Again with “Public Image” and this album. He argues that Lydon leaving the Sex Pistols, recording and releasing a song about them and releasing this record mark the point at which punk wasn’t just punk, but evolved into something else. It …
No New York (1978) by Various Artists
I have heard about this record so much that it was inevitably going to prove difficult to listen to it by the time I got around to it. I first learned about it in The Secret History of Rock close to twenty years ago but I have at least managed to listen to the Contortions …
Pussy Whipped (1993) by Bikini Kill
Two Nuns and a Pack Mule (1988) by Rapeman
Is it possible to talk about this band without talking about their name? Let’s try.
In on the Kill Taker (1993)
This record makes the fifth Fugazi record I’ve heard and I’ve finally figured out that I like this period the best. I find their earliest records to be a little less musically interesting than this and Red Medicine. And though it’s been a very long time since I heard The Argument, I didn’t enjoy that …
Boces (1993) by Mercury Rev
There is a time in my life where I would have just eaten this up.
A Thousand Leaves (1998) by Sonic Youth
The first track makes me think of their early music, even though I haven’t heard anything earlier than their earlier than their fourth album, so maybe I don’t know what I’m talking about. But anyway the opening makes it sound like they’ve gone more experimental. (Actually a few tracks do.)
Today’s Active Lifestyles (1993) by Polvo
Imagine if Sonic Youth played Pavement-style indie rock (albeit longer songs), but more of a post-hardcore version of Pavement without their idiosyncrasies, you may get some vague idea of what Polvo sounds like. RYM lists them as a Math Rock band and frankly that mystifies me, even in the context of the early 1990s, but …
Motherscratcher (1993) by Ed Hall
This is the kind of music I really like: sloppy, noisy music played by a band that could be more professional if they wanted to, but they don’t want to. There is one song in particular that hints at their chops in a really exciting way and I wish there was more of that particular …
Mogwai Young Team (1997)
By 1997, post rock had existed for some time but I think you could make a compelling case that the sounds we most associate with post rock were still not that common within this horribly named genre, which is really a bunch of different genres. The grandeur and epic scale of much post rock was …
Liar (1992) by The Jesus Lizard
I love Goat so much that the first time I listened to this, I was severely disappointed. Why? Well, because it’s not Goat. We often get into this weird position when we love a record and it’s the only record we’ve ever heard by a band, where everything else seems to pale in comparison.
The 2017 Wolfe Island Music Festival
After a year’s hiatus, the Wolfe Island Music Festival returned and I resumed my annual pilgrimage to the one and only music festival I go to. I think that, with one major exception, there was a general feeling among our group that this edition was better than the 2015 edition.
Songs About Fucking (1987) by Big Black
What probably sounded unbelievably loud – not to mention offensive to a lot of people – has mellowed considerably nearly thirty years later. So much of this record (or even the band’s oeuvre, perhaps) has integrated into alternative rock and even some indie rock. Hell, it doesn’t even sound very noisy compared to what’s being …