Tag: Alternative

1998, Music

The Good Will Out (1998) by Embrace

I am listening to this record for the third time, and about to talk about it on my music anniversaries podcast, and I’m wondering why the hell I bothered. I don’t like it, nobody requested it and it isn’t really a big deal, is it?

1998, Music

Leitmotif (1998) by dredg

Apparently these guys were Nu Metal once upon a time. You can sometimes hear that in the vocals – without actually knowing anything about Linkin Park, I’d say I hear a similarity in the way this guy sings – but on the whole the idea that this was a Nu Metal band on their EPs …

1998, Music

A Thousand Leaves (1998) by Sonic Youth

The first track makes me think of their early music, even though I haven’t heard anything earlier than their earlier than their fourth album, so maybe I don’t know what I’m talking about. But anyway the opening makes it sound like they’ve gone more experimental. (Actually a few tracks do.)

1998, Music

Version 2.0 (1998) by Garbage

Though I feel like Garbage songs were everywhere when I was in High School, I honestly don’t remember too many of them. (A couple here are sort of ringing some bells, I guess.) So I was genuinely surprised when I listened to the record and then I decided the title must have something to do …

1988, Music

Our Beloved Revolutionary Sweetheart (1988) by Camper Van Beethoven

Perhaps for the first time they acknowledge their debt to Kaleidoscope by covering a song Kaleidoscope covered (“O Death”). If I didn’t think these guys were the ’80s College Rock Kaleidoscope before, I do now.

1993, Music

Are You Gonna Go My Way (1993) by Lenny Kravitz

I do not love nostalgia. Even when that nostalgia is for music I like, I have a hard time liking or sometimes even appreciating music that was made in awe of and devotion to another time. Sure, it might sound better than the original because it was recorded better or mixed better or mastered better …

1993, Music

Songs of Faith and Devotion (1993) by Depeche Mode

At this point I have heard enough synthpop (and enough Depeche Mode) to understand how this record breaks from that tradition (much like the previous record, Violator, also does), and so I feel like I might actually have something decent to say about it, unlike when I first listened to Violator.

1998, Music

Before These Crowded Streets (1998) by Dave Matthews Band

I have always been the kind of person to go left when everyone else was going right, when it comes to cultural things. If a song is everywhere, it’s pretty much guaranteed I won’t like it. If a movie is getting celebrated a little too much, I want to not like it. What does this …

1993, Music

www.pitchshifter.com (1998)

I do not know anywhere near enough about ’90s industrial or the British electronica scene to have any real idea of the context this record was made in but I can tell you it sounds insanely ’90s. Imagine a more political, perhaps slightly less articulate Nine Inch Nails, mixed with The Prodigy and maybe you …

1988, Music

Life’s Too Good (1988) by The Sugarcubes

For Bjork fans coming to this after listing to her solo career, this album feels like a bit of glimpse into Bjork in utero: her voice is already fully formed and distinct but much of the other stuff that make Bjork Bjork seems missing or replaced by a rock band which sometimes has a male …

1993, Music

Fuzzy (1993) by Grant Lee Buffalo

I decided to talk about this record, rather than any number of other records from 1988 and 1993, in part because Michael Stipe once claimed it was the best album of 1993. Now, I don’t necessarily share musical states with the lead singer of REM, but I do feel like he had an important role, …

1993, Music

Where You Been (1993) by Dinosaur Jr

There’s a part of me that listens to this and thinks “it’s another Dinosaur Jr. record, you shouldn’t rate it this high!” I have this obsession with artists who evolve. When artists don’t evolve (enough) I used to dock them points (as if they cared). The older I get, the less I care about this, …

1987, Music

The Lion and the Cobra (1987) by Sinead O’Connor

I get why this record was such a big deal when it came out: in 1987 it seemed rare that someone with such a distinctive voice comes along, who writes her own songs, and who seems like her artistic personality is already fully formed.But I think that, in retrospect, that view says more about 1987 …

1997, Music

So Much for the Afterglow (1997) by Everclear

I don’t know this band save for “Wonderful” so I cannot tell you whether the Beach Boys-esque opening to the title track is a giant left turn or not. If it is, that’s brave of them. But, for those of us who do not know this band, it’s the wrong note to start the album. …

1987, Music

Strangeways, Here We Come

To say I dislike The Smiths would be an understatement. I don’t hate them so much as I hate the aura around them and this idea that they somehow saved British music from itself (and synthesizers! don’t forget the synthesizers), almost like a younger, hipper Bruce Springsteen (because Springsteen saved rock music from disco, don’t …

1987, Music

Earth Sun Moon (1987) by Love and Rockets

I love Bauhaus and, initially, I think I found it hard to get into these guys simply because they are not Bauhaus, which is unfair. It’s unfair because these guys are very much their own band, particularly with the wind instruments. (By the way, that flute solo is hilariously Ian Anderson, who I would have …