It is one of the strangest musical careers of our time, that Robbie Williams was perhaps the biggest star in the UK, for like nearly a decade, and was just a guy with some minor hits in North America. It’s something that has happened over and over and over again – with British stars failing …
Tag: 2000
The Ecleftic: 2 Sides II a Book (2000) by Wyclef Jean
Why are Wyclef’s albums so fucking long? I don’t know the answer but it feels like it’s not just a case of the ’90s album bloat. Here is a man with a lot of pretty decent material (arguably more than on his debut) who doesn’t seem to know how to present it to the world. …
Who Let the Dogs Out (2000) by Baha Men
I was dreading this. The chorus of the title track is one of the dumbest things I’ve ever heard and if I never heard it again that would be too soon. And then there’s the rating on Rate Your Music, which is insanely low, so I was really dreading it.
Who Is Jill Scott? Words and Sounds Vol. 1
I don’t know if I can tell you who Jill Scott is, but I can tell you what she is: she’s ambitious. Scott wants us to both accept her as a very talented singer and a poet. That’s something very few people can pull off.
Parachutes (2000) by Coldplay
Imagine early Radiohead with none of the energy or edge (i.e. none of the alternative/grunge influences) and none of the aritness or idiosyncrasy, and imagine them playing mostly ballads (and the up-tempo songs are so soft they sound like ballads) and I guess you get some idea of what Coldplay sound like on their first …
White Pony (2000) by Deftones
I really thought the Deftones were a Nu Metal band for most of my life. And, while it’s true, that some of their music veers into Nu Metal, they are far more musically diverse than their Nu Metal contemporaries.
Domestica (2000) by Cursive
Context is so important and music. And not just historical context – did a record have a particular influence on music? – but also personal context for the listener. If you hear a record at the right time and it speaks to you, it’s going to be a big deal for you, even if it …
Ooops!…I Did It Again (2000) by Britney Spears
A lot of people think pop music is supposed to be ephemeral, disposable. I guess that’s one reason I don’t like so much of it. One of my criteria for deciding whether or not something is “great” is transcendence. And, if pop music is supposed to be disposable, it should be very hard for it …
All Hands on the Bad One (2000) by Sleater-Kinney
I like this band. I really like their aesthetic and I like their songs. But, at some point, I’ve come to realize that they are an AC/DC type band rather than a band that is concerned with making big artistic strides on each record. (I should probably pick a bett4er comparison given AC/DC’s lyrics, but …
Figure 8 (2000) by Elliott Smith
I think Elliott Smith is a good songwriter. As I have said when reviewing his other albums, I really don’t get the idea that he is one of the great songwriters of his generation, but he’s certainly very good. His songs are a little too poppy for my tastes, but I can at least appreciate …
The Discovery of a World Inside the Moone (2000) by The Apples in Stereo
I read that this was an attempt by Apples in Stereo to sound more like they do on stage, so it’s rawer than normal. I’ve heard one of their earlier albums – Tone Soul Evolution – but I don’t remember it. But reading my review that sounds like it might be true. But it’s kind …
Things to Make and Do (2000) by Moloko
I don’t know Moloko at all, so I don’t know how this album changed their sound from previous record. I read that they were considerably more electronic before this record, but I’m taking that on faith. All I can really talk about what’s here, whish might be described as soulful, funky, dancier Portishead – like …
Dongs of Sevotion (2000) by Smog
During one of our podcast episodes, we were discussing Palace Brothers and one of the guests said he reminded him of Smog. When I first listened to Smog – the earlier, weirder, more lo fi Smog – I had no idea what he was talking about. But listening to this record I really, really do. …
Like Water for Chocolate (2000) by Common
I’m sure I’ve heard a hip hop album quite like this, and I mean that as a compliment. I’ve heard music by some of the participants but I don’t know if I’ve quite heard something this clearly hip hop (as opposed to neo soul) which had such a neo soul feel, and lyrics which mostly …
No Strings Attached (2000) by *NSYNC
I absolutely hated *NSYNC when they first become popular, much like I absolutely hated the Backstreet Boys. And, though time has softened my feelings, it was still a struggle listening to “Bye Bye Bye” and “It’s Gonna Be Me” as immediately my got up a bit, as I remembered being inundated with these songs and …
The Covers Record (2000) by Cat Power
When I was younger, I believed the people who sang others’ songs were somehow lesser artists. I believed this for quite some time until, one day, I didn’t. It took me a long time to get there, but one of the things that helped me get there was getting exposed to really good cover albums …
The Noise Made by People (2000) by Broadcast
Yo La Tengo with way less guitar, without a male singe, the female singer now has an accent and there’s programming. I mean, basically, right? (That’s unfair, but it’s there.)
He Has Left Us Alone but Shafts of Light Sometimes Grace the Corner of Our Rooms… (2000) by A Silver Mt. Zion
Less ambitious and grand Godspeed You! Black Emperor, with a slowcore song stuffed in the middle of it, basically.
American Women aka The Closer You Get (2000, Aileen Ritchie)
This is a mostly endearing little comedy about how, with some modifications, happiness is often looking you right in the face when you don’t even know it. the message of being happy with what you’ve got is a good one, though I’m not sure I want to live in the town depicted in the film.
And Then Nothing Turned Itself Inside-Out (2000) by Yo La Tengo
I love I Can Hear the Heart Beating As One. I didn’t initially but, over the years, I’ve come to really, really enjoy it and also come to regard it as one of the great indie rock albums of the era. One of the things I love about it is its relative diversity something that …
The Better Life (2000) by 3 Doors Down
Despite never intentionally listening to either of them in my life. When this record came out I was about to go to university where I was pretty sheltered from Top 40 music. So these songs must have got in my face prior to my departure (and during summers I assume). I really can’t believe how …
The Chainheart Machine (2000) by Soilwork
When you start getting into all the niche metal genres that have sprung up since thrash, it can get really hard to tell what is “good” or even “classic” for that given genre, simply because us music fans who are not obsessed with particular sub-genres of metal don’t have enough context. Case in point: I …
Supreme Clientele (2000) by Ghostface Killah
I have no idea what to do with this. (As usual.)
Voodoo (2000) by D’Angelo
I heard so much about this album that I was bound to be disappointed. I had read really positive reviews but also multiple friends of mine told me it was a great album and at least one of these people was not an R&B connoisseur. (Meaning I should take his opinion even more seriously.)
Razorblade Romance (2000) by HIM
To the extent the I know HIM I hate HIM. In 2011 I listened to Deep Shadows and Brilliant Highlights and Love Metal, panning both of them and giving the former a rare 3/10. (Music has to be bad for me to go that low.) The ensuing years seem to have mellowed me somewhat or …
Chocolat (2000, Lasse Hallstrom)
An overly religious, stuck-up town is saved by a magical fairy woman who makes chocolates that bring the town back to life. What a wonderful premise for a movie.
The Storyteller (2000) by Anna Porter
This is a memoir by a Hungarian-Canadian about her Grandfather and her early life in Hungary. Her Grandfather was full of stories about their family and Hungary. Though these stories are probably quite compelling for some people, particularly Hungarians but also anyone who enjoys a good yarn, I had trouble caring about them. I am …
Two Classic Albums from Gordon Jenkins (2000)
In my quest to hear the sources of nearly everything, sometimes I stumble upon stuff that I really shouldn’t have, music that is just not for me. This twofer is one of those things; it’s a compilation that pairs a compilation (seriously) with what appears to be a release for orchestra.
Káťa Kabanová; Cappriccio; Concertino (1977, 2006) by Leos Janacek, performed by Wiener Philharmoniker conducted by Charles Mackerras featuring Elisabeth Söderström, Peter Dvorský, Naděžda Kniplová
This set pairs a Janacek opera with two of his chamber music pieces. It’s an odd pairing, but in the era of the CD it was a regular thing when an opera failed to fill out two discs.
Ives: The Symphonies; Orchestral Sets 1 and 2 (2000) by Various Artists
This is one of those Decca compilations that takes recordings from all over its catalogue – in this case from the mid ’70s and the mid ’90s – to create an ostensibly “complete” collection of a composer’s works in a given field, in this case Ives’ work for large orchestra. Of course it’s not complete, …