Chelsea Girl (1967) by Nico

Categories: 1967 and Music.

The first time I heard the Velvets’ early singles, with Nico on them, I didn’t like her voice. And for quite some time after, I don’t think I did. I’m pretty sure that, for a long time, I regarded her presence on that first album as some kind of weird aberration, forced upon them by Warhol, and completely at odds with what they were doing. (I’m not sure that’s true,I think that’s just how I felt.) Read More

Mellow Yellow (1967) by Donovan

Categories: 1967 and Music.

This feels like a transitional effort for Donovan. On the one hand there’s still some songs that feel like they could have been on Sunshine Superman (though they feel like outtakes to me) on the other and there are some more subdued singer-songwriter things that feel nearly completely at odds with his sort of “Swinging London onlooker” persona he seemed to cultivate. Read More

Paul Simon (1972)

Categories: 1972 and Music.

I don’t love Paul Simon as a songwriter. I have been trying and trying but, aside from a brief period in my early teens when I liked Simon and Garfunkel, I just can’t do it. He doesn’t connect with me like so many other of the great song-writers do. But I admit that this – Paul Simon’s sort of debut, sort of second record – is a varied record and its a strong set of songs for him. The things that I don’t like about it are things that I don’t like about Paul Simon and have nothing to do Read More

Parsley, Sage, Rosemary and Thyme (1966) by Simon and Garfunkel

Categories: 1966 and Music.

I don’t know if I can put into words the difference in quality between Sounds of Silence and this record. Sounds of Silence was so tossed together. Though this record features some re-used songs as well, it’s clear that the duo had a lot more time to work out what they were doing, and the arrangements feel purposeful and well thought out and there are fewer weird missteps. Read More

Tapestry (1971) by Carole King

Categories: 1971 and Music.

First off: this is not my kind of music at all – the songs, the instrumentation and arrangements both not my thing. That being said, the band is good for what it is and there are lots of star guest appearances (if Mitchell and Taylor were stars at the time) that blend into the background. King’s songs are certainly decent, though I’ve never been a fan. But for me, the thing that makes this listenable is King herself, who certainly appears to be living/feeling these songs in a way in which most “soft rock” performers absolutely do not. This may Read More