I’m not sure I can convey the loathing I felt towards Britney Spears when she first debuted. I hated both her music, the singles of which were catchy enough they were hard to ignore, and what she represented: manufactured pop. I told myself she was a puppet. In 1998 and 1999 it felt like we …
Tag: Dance Pop
Technique (1989) by New Order
The fusion of alternative and dance was such a big thing in the late 1980s in the UK. But it’s not something I really get because, well, I don’t like dance music. But I wish I could appreciate it more, because there are all these bands, with all these acclaimed albums, and I listen to …
Footloose Original Motion Picture Soundtrack (1984)
I don’t review soundtracks normally for at least two reasons: normally they are not entirely composed of original music and they are not culturally significant enough – i.e. some kids probably bought it but the rest of us likely ignored it. But this one, well it is composed of original music, to the best of …
Touch (1983) by Eurythmics
The distinguishing characteristic about the Eurythmics that makes them more accessible to me is that, unlike most synthpop bands from their era, they believe in instruments other than sythesizers and sequencers and the like.
Hangin’ Tough (1988) by New Kids on the Block
I had turned 7 just a few days earlier when this came out so, though I am aware of NKOTB, and I’ve heard two of these songs way too many times as a child, this isn’t really the boy band that annoyed me. Sure, my step-sister had the tape, and I guess that was annoying …
Madonna (1983)
Though I am speaking with the benefit of hindsight, it feels to me as if it would have been easy to imagine in 1983 that Madonna was going to be around for a while. Even at this early stage, she’s a compelling performer and it feels like she’s surrounded herself with the right people.
janet. (1993) by Janet Jackson
As I say all the damn time, coming at an artist backwards is a bad idea. And yet here I am doing it again. This is only the second Janet Jackson album I’ve ever heard, but the first one I heard was the sequel to this one. The problem for me is that the sequel …
Quick Step and Side Kick (1983) by Thompson Twins
Now this is more like it.
What Up, Dog? (1988) by Was (Not Was)
Imagine if you can a musically less sophisticated but infinitely slicker, but lyrically more earnest Steely Dan, recording with the very latest in ’80s musical technology, and featuring mostly guest vocalists, and you maybe get some idea of what Was (Not Was) sounds like. You also have to up the R&B quotient while dropping the …
Spiceworld (1997) by The Spice Girls
No, I have not seen the movie. (Actually, I may have seen parts of it…)
The Bodyguard Motion Picture Soundtrack (1992) by Various Artists
No, I have not seen the movie.
Savage (1987) by Eurythmics
I don’t know Eurythmics very well. Sure, I know their biggest hits, but that’s it. And I only ever recently sat down to listen to an Annie Lennox album. So I have no idea about context here. For example, I had no idea they were so damn prolific. (Seriously, what the hell? 7 albums in …
Thriller (1982) by Michael Jackson
Much like Bad, so many of the songs from Thriller were hits when I was a little kid that I know more of this record than I could have ever imagined. That knowledge once again puts me in a weird position, having the memory of what some of these songs sounded like to me as …
The Velvet Rope (1997) by Janet Jackson
I had a very, very fixed idea of Janet Jackson before listening to that record. It was an idea essentially created by music videos (Janet Jackson is attractive) and the odd accidental radio exposure, but also created by the music industrial complex, which has generally marketed female performers in a particular way for quite a …
Faith (1987) by George Michael
I have never had any desire to listen to George Michael. Nothing about his music has ever really struck me. I find myself listening to this record only because of my podcast. It’s a weird combination of cheese and kitsch with earnestness and bravado. As someone who has only recently started (seriously) listening to music …
1999 (1982) by Prince
Listening to this record immediately after Marvin Gaye’s Midnight Love is instructive: Prince shows how cutting edge musical technology can be used without permanently dating a record. Hint: it helps if you write good songs and it helps if you’re idiosyncratic. Prince has written a bunch of really catchy songs – even the songs he …
Tubthumper (1997) by Chumbawamba
If you were alive in 1997 you heard “Tubthumping.” You’ve probably heard it even if you weren’t very old then. It came out of nowhere and, unless you were in the UK, the band then vanished from the public eye soon after.
Actually (1987) by The Pet Shop Boys
Full disclosure: I don’t love synthpop and I don’t like most dance music, electronic or otherwise. So this was likely going to be a chore for me.
Bad (1987) by Michael Jackson
I grew up with “Fat” and have a hard time separating the real song, the title track of this record, from its parody. But I haven’t listened to “Fat” in so long. Listening to Bad for the first time (and to the remaster, no less), I can’t help but wonder, “does “Fat” sound this terrible …
Backstreet Boys (1997, 1998 Re-Issue)
I am listening to this for my podcast. (Well, not exactly this album, but close. I’ll get into that.) But I don’t know what to do with it for a number of reasons. I don’t like pop music like this and I don’t spend time listening to it. Here are some reasons why:
Whitney (1987) by Whitney Houston
This is one of the most commercially successful albums of its era, so I guess that’s why I felt I had to listen to it. But if I learned one thing from this album, it’s that the things that I like about music and the things that most consumers like about music are not the …