I had a very, very fixed idea of Janet Jackson before listening to that record. It was an idea essentially created by music videos (Janet Jackson is attractive) and the odd accidental radio exposure, but also created by the music industrial complex, which has generally marketed female performers in a particular way for quite a long time. This idea was complete wrong, in addition to being completely unfair. I am glad I listened to this record, because Janet Jackson is so much more than what I thought she was. Read More
If we force an artificial divide onto the trip hop spectrum, I am very much on the zany, insane, unpredictable Bjork side of it, rather than the moodier, “darker” but more uniform side that Portishead finds itself in. Read More
It’s been a while since I sat down and listened to all the Bjork records I own at once time so you should really take what I say with a grain of salt because, maybe if I had done that recently, I wouldn’t be so damn blown away by this record. But, without having listened to the other records in some time (except for the two preceding this one), I am very, very tempted to acclaim this one as her very best. Read More
1997 and Music. 1997, Alternative, Alternative Dance, Alternative Hip Hop, Alternative Pop, Alternative Rock, Contemporary R and B, Electronic, Hip Hop, Music, Pop, and Trip Hop.
I love genre-bending. A number of my most favourite bands are bands that can play a wide variety of genres well, and make these genres sound like their own (or, alternatively, convince you they are an entirely different band). So I should like this. I should like this even though it is based in music I don’t personally love (electronic, hip hop). Read More