The idea of vampires being used as some kind of metaphor for sex has probably been around for as long as vampires have been in literature. It’s not a new thing. And so, initially, this film feels like yet another in the endless line of erotic vampire films. However, the film has enough twists and …
Tag: Drama
Red-Headed Woman (1932, Jack Conway)
This feels like the direct inspiration for Baby Face – in fact Baby Face feels like a rip off. But Baby Face is the superior film: better plotting, motivations for the characters higher production values and, on a personal note, I prefer Stanwyck to Harlow. The character Baby Face is at least motivated by lust …
Julie by Philippe Boesmans and Luc Bondy, Live at the St. Lawrence Centre, November 19, 2015
This is a 2005 chamber opera based on the 1888 play Miss Julie by August Strindberg. I have never read Strindberg, and I don’t know if I’ve read much naturalist literature or drama, so this was a new experience for me.
Awaara (1951, Raj Kapoor)
For reasons I can only guess at, the Toronto Public Library edition of this film does not contain English or French subtitles – not that I would do much better with French subtitles than none, but it would be some improvement. So I was forced to watch this movie as if it was “silent,” following …
The Portable Chekhov (1947), edited and translated by Avrahm Yarmolinksy
This is a pretty great collection of selected short stories from Chekhov, plus two plays (one major, one minor) and a few letters. I am not a man who cares about an author’s letters, so I won’t be discussing those.
Ashes and Diamonds (1958, Andrzej Wajda)
This is the first Polish Realism film I have seen and I must say I’m very impressed. It shares many characteristics with the great French and Italian realist/neo-realist films of the decade prior but, unlike (most of) those movies, it was made in a Communist country, and therefore feels like even more of a miracle …
TIFF 2015: The Clan (2015, Pablo Trapero)
Though I see a lot of movies – and I mean a lot of movies – and I can usually articulate what I like and don’t like in a particular film, there are always one or two where I feel like there is something wrong but I can’t articulate it, I just feel it. This …
Georges Melies: First Wizard of Cinema 1896-1913 (2009)
This is a collection of many – but hardly a majority or all – of George Melies’ short films from when he got into cinema shortly after the invention of the medium until 1913, when his various personal problems consumed him and he stopped making films. (Note that many of Melies’ films have been lost …
Show Me a Hero (2015)
I have to say I sort of screwed myself here; my expectations were sky-high.
Another Earth (2011, Mike Cahill)
This is a movie that, by its very title, advertises itself as science fiction. But it’s not, not really. I mean, it’s barely science fiction. It’s not science fiction in the way you expect. MILD SPOILER ALERT
Angels in America (2003, Mike Nichols)
There is a part of me that wants to say this is one of the great works of American literature of the late 20th century but I don’t know enough late 20th century literature to say that with any kind of authority and, specifically, I can’t tell you how few American plays I’ve seen written …
The Physicists (1961) by Friedrich Durrenmatt, adapted by Michael Healy, live at the Tom Patterson Theatre, Stratford, July 25, 2015
This is a play about the social responsibility of scientists posing as a murder mystery-cum comedy, set in an insane asylum. The play uses comedy and the teensiest bit of mystery to dilute it’s otherwise very heavy-handed message. The play itself is so prescient (and so relevant to our time) that I am shocked I …
America, America (1963, Elia Kazan)
This film – which is about the journey of Kazan’s uncle from Anatolia to the US – is the kind of film which is quite common now but which was quite rare back then, even in the early ‘60s, pre-Renaissance. I honestly don’t know how many other (American) films like this existed at the time. …
All That Jazz (1979, Bob Fosse)
I am not a fan of Fellini. Well, that’s not exactly true, I like early Fellini. But I find “peak” Fellini highly overrated and I pretty much can’t stand late Fellini. Of all the “Great Directors” I a have attempted to appreciate, Fellini is among my least favourite.
The Ides of March (2011, George Clooney)
This appears to be Clooney’s attempt to show how a truly “good” candidate would fair in the US primaries. (Why are these films always about primaries? Oh, right, because the US has a bizarre system.)
The Place Beyond the Pines (2012, Derek Cianfrance)
This is the kind of idea that really used to intrigue me when I was younger. It’s the kind of thing that might have blown me away in my mid twenties. SPOILER ALERT
All Fall Down (1962, John Frankenheimer)
This film is one of those over-baked Tennessee Williams-esque portraits of a family barely keeping it together, with an over-bearing mother (naturally), a drunk father (naturally) and a golden boy who isn’t quite so golden (naturally). We’ve seen this before, even if the story isn’t quite the same.
Alice Adams (1935, George Stevens)
I haven’t read this particular Tarkington novel but I’ve read another and I can’t say I liked it. If the book was effective, the filmmakers messed up.
The Adjustment Bureau (2011, George Nolfi)
I guess there are some SPOILERS!
Blood Diamond (2006, Edward Zwick)
This is film feels like an attempt to cross an adventure movie with a war movie with a Hollywood message movie. At times it succeeds rather well but at other times it’s borderline terrible.
End of Watch (2012, David Ayer)
This is a found footage film mixed with a cop drama that is regularly ready to abandon its found-footage conceit – a good thing and a bad thing in these types of movies – and which appears to treat serving in the LA PD as serving in the military. (Gyllenhaal appears to be playing a …
Adoration (2008, Atom Egoyan)
Oh, Egoyan’s attempts to understand the past through contrivances and meta-narratives! Gotta love’em. Whereas with Ararat, Egoyan tried to get us to understand the Armenian genocide through making a movie about making a movie about it (yeesh), here he tries to get us to understand suicide bombing and terrorism, and the resulting prejudice, by making …
Adam Resurrected (2008, Paul Schrader)
I struggle with Schrader as a filmmaker – the man has written some of the great American films, but those films are always directed by someone else (Scorsese among others). As a director I always wish that someone else had made his movies – with the exception of Mishima – and this one is no …
Gangster Squad (2013, Ruben Fleischer)
This is a colossally dumb movie that wastes an absolutely fantastic cast.
Forces speciales (2011, Stephane Rybojad)
This film was brought to you by the Armed Forces of France.
Southcliffe (2013)
Well someone really hates British small towns…
The Bridge aka Bron (2011)
I am reviewing the first season of Bron because I have no intention of watching future seasons. (Though I have heard the second season of the American version of The Bridge is very good so maybe if I do try the American version, I will get that far.) The following review contains spoilers.
The Master (2012, Paul Thomas Anderson)
This is a fascinating film about personality cults – both the people who are lead them and the people who are drawn to them. It’s kind of hard to talk about the film without talking about Phoenix and Hoffman, both of whom are fantastic (as usual) as the film is primarily about their relationship, whether …
The Fall (2013)
This is a mostly excellent British serial killer drama that manages a lot despite the reveal of the killer as one of the two main characters in the very first episode. The show plunges us into Northern Ireland with a great sense of place and little regard for our knowledge of how these things work …