Though I have known of Alice Cooper the man for most of my life, this is my first Alice Cooper album (band or man). As you might imagine, I’m a bit surprised.
Tag: Hard Rock
Pyromania (1983) by Def Leppard
I struggled with just giving Hysteria my usual three listens and so I was not looking forward to this record. The good news is that it is better than Hysteria. The bad news is that claiming anything is better than Hysteria is damning with faint praise.
Inside (1973) by Eloy
A band I wanted to listen to a lot when I was much younger; finally got around to it.
Restless and Wild (1982) by Accept
I didn’t know what to think of this band with a hilariously un-metal band name, which was a good thing, as this record surprised me.
Under the Blade (1982) by Twisted Sister
If you grew up in the 80s as I did, you were inundated by certain music videos and two of them were “I Wanna Rock” and “We’re Not Gonna Take it.” And through my entire life this is all I’ve known of this band, aside from Dee Snyder testifying before congress, which definitely upped my …
Vol 4 (1972) by Black Sabbath
Round about the time the piano opens “Changes,” we start wondering what is going on. Prior to this moment (or, perhaps, prior to “The Straightener”), Black Sabbath was the heaviest band in the entire world. There was no band louder or lower than Sabbath. And then we get a piano ballad backed with a fucking …
Hysteria (1987) by Def Leppard
I have had a hard time finding this album online; Google Play doesn’t have a license for the early Def Leppard stuff (just their later, better stuff!!) and YouTube is missing a bunch of songs. So I probably shouldn’t review it. But I can and I will.
The 2017 Wolfe Island Music Festival
After a year’s hiatus, the Wolfe Island Music Festival returned and I resumed my annual pilgrimage to the one and only music festival I go to. I think that, with one major exception, there was a general feeling among our group that this edition was better than the 2015 edition.
My Own Prison (1997) by Creed
I thought this was their big record until I listened to it. It was still (sadly) a pretty big record, but the big hits I was expecting are not here. That means I don’t know these songs. But that doesn’t make it any better.
Danzig III: How the Gods Kill (1992)
I have never heard Danzig before and, to the best of my knowledge, never heard Glenn Danzig before. (Except maybe on some Misfits song, but I think the only version of the band I’ve heard is one without him in it.) And there’s something I am having a hard time shaking, which will likely infuriate …
Love Gun (1977) by KISS
I absolutely hated Destroyer, KISS’s most famous and ostensibly best record, so I had really low expectations for this record. Maybe that’s why I don’t hate it, but I think there are other reasons.
Rocks (1976) by Aerosmith
The first time through this, I didn’t like it as much as Toys in the Attic. Aside from the opening track, there are fewer hits and the songs sounded weaker on the whole. But this is a dirty, perhaps deliberately poorly sounding record. (Listen to the piano on the last track – that piano sounds …
Destroyer (1976) by KISS
I think you can regard Bob Ezrin as the “Phil Spector of the ’70s”; a man who focused on creating a dense wall of sound. And, though I don’t like this production style, I think it suits certain things. When Ezrin’s style matches the artist’s material, it works wonders (see, for instance, Berlin or The …
Vincebus Eruptum (1968) by Blue Cheer
For years and years I have been telling everyone who would listen that Jeff Beck’s Truth is the First Heavy Metal album of All Time. If people mentioned Blue Cheer, I dismissed them outright – despite only ever hearing their cover of “Summertime Blues” once or twice – or assumed that The Jeff Beck Group …
The Jimi Hendrix Experience (2000)
This is an exhaustive collection of Experience alternate takes, outtakes, alternate mixes and live performances. For the Hendrix completist, it’s probably more essential than any of the other studio rarities collections that have come out, just because it shows off more facets of his playing and his experimentation – unlike those studio rarities collections which …
Heaven and Hell (1980) by Black Sabbath
I’m struggling here, really struggling.
Toys in the Attic (1975) by Aerosmith
I grew up during Aerosmith’s reunion: I was eight when Pump came out and twelve when Get a Grip was released – which was apparently old enough to stay up to watch that SNL skit pointing out all Aerosmith ballads are the same. My introduction to Aerosmith was therefore Much Music (Canada’s version of MTV) …
In Rock (1970) by Deep Purple
Deep Purple always seem to be the third wheel in the “(un)Holy Trinity of British [first wave] Heavy Metal”. Certainly if we are to judge by influence on the genre today, there’s no touching Sabbath, but if we go back in time to pre-British New Wave of Heavy Metal, Zeppelin was the band. I think …
RIP: Jon Lord
Jon Lord was one of the earliest rock keyboardists – along with people like Keith Emerson – to attempt to fuse so-called “classical” music (actually it was usually Romantic music) with rock. He convinced his band, Deep Purple, to cover Richard Strauss, among others, to include his string and wind arrangements, and to eventually perform …
Contraband by Velvet Revolver (2004 RCA)
I remember the instant hipster derision when this came out. Specifically, I remember watching the lead single’s video, and a friend of mine – a hipster if memory serves – was nearly apoplectic when Slash stepped forward to play the solo. Apparently such a longstanding expression of “rock” authenticity was just totally uncool, at least at that …