This record continues the chamber pop direction Mercury Rev had found in the late ’90s but it’s arguably a little bit closer to their original sound on some tracks, certainly as compared to the pervious album, Deserter’s Songs.
Tag: Chamber Pop
Poses (2001) by Rufus Wainwright
Someone called Wainwtright’s voice a “rich kid voice” and I laughed when I read it. Even though I’m Canadian and have been exposed to Wainwright more than most Americans or Brits, I still have a hard time dealing with his affect. As I wrote in my review of his first album, it’s hard to imagine …
The Swimming Hour by Andrew Bird’s Bowl of Fire (2001)
I know very little about Andrew Bird. I actually thought he was a jazz musician, confusing him with, um, another Andrew. (Andrew Hill, apparently, which seems ridiculous.) Anyway, eventually I did figure out he was an “indie rock” musician but knew nothing else. Nothing about his principal instrument, nothing about the Squirrel Nut Zippers, nothing.
Figure 8 (2000) by Elliott Smith
I think Elliott Smith is a good songwriter. As I have said when reviewing his other albums, I really don’t get the idea that he is one of the great songwriters of his generation, but he’s certainly very good. His songs are a little too poppy for my tastes, but I can at least appreciate …
Tindersticks [II] (1995)
I’m not sure exactly what it is, but Tindersticks hit me in a place where I am just incapable of disliking them. It’s like Staples et al. just stumbled upon the formula for music I like, and for convincing me that it’s totally okay to release three double LPs to start your career. (If another …
I Do Not Want What I Haven’t Got (1990) by Sinead O’Connor
Sinead’s second album is considerably more self-assured and even than her debut, though it’s lacking a bit of the energy of the debut and, also, the pure shock factor of a woman so young seeming like such a self-assured songwriter and performer. And like the debut, it hasn’t dated that well, but that’s sort of …
When the Pawn Hits the Conflicts He Thinks like a King What He Knows Throws the Blows When He Goes to the Fight and He’ll Win the Whole Thing ‘fore He Enters the Ring There’s No Body to Batter When Your Mind Is Your Might so When You Go Solo, You Hold Your Own Hand and Remember That Depth Is the Greatest of Heights and If You Know Where You Stand, Then You Know Where to Land and If You Fall It Won’t Matter, Cuz You’ll Know That You’re Right (1999) by Fiona Apple
I could have sworn to you that I had heard this record before; I thought I had heard all of hers. But I went to check my old review and there was no review nor any rating. And that begs a question: did I listen to this and forget to review and or even rate …
Geek the Girl (1994) by Lisa Germano
I knew nothing about this record going in and, frankly, nothing about Germano. The name maybe rung a bell, a teeny bit, but that’s all. So I had no idea what I was in for, which is maybe why I keep can’t help but compare her to other people.
The Unauthorized Biography of Reinhold Messner (1999) by Ben Folds Five
For most of my adult life I’ve been only vaguely aware of Ben Folds and his band. I think he had a hit or two I heard of and many years ago I managed to listen to their reunion album but it apparently made no impression on me. Despite sort of bemoaning the death of …
Tindersticks (1993)
Throughout the history of pop rock I think it’s safe to say that debut albums have usually been not as good as albums by experienced bands. Don’t mistake the hype – there are certainly numerous debut albums which have been over-hyped over the years but, I think, on balance, most bands and artists do not …
The Boy With the Arab Strap (1998) by Belle and Sebastian
I have heard a lot about Belle & Sebastian over the years but I guess I never read anything that made me think that I needed to listen to them. Any time I read the word “twee” I certainly get the idea that I won’t like the music being described, whether or not that’s actually …
Electro-Shock Blues (1998) by Eels
I had long heard of Eels but was actually completely unaware I had heard him, as I had never made the connection between “Last Stop: This Town,” which I vaguely remember from High School, and Eels the band name. So all this time I thought Eels was something else but I had actually heard what …
XO (1998) by Elliott Smith
The first time I heard Elliott Smith, on Either/Or, I was underwhelmed. That’s because all throughout my adult life people had been telling me how great he was and, well, hype is awful.
The Good Will Out (1998) by Embrace
I am listening to this record for the third time, and about to talk about it on my music anniversaries podcast, and I’m wondering why the hell I bothered. I don’t like it, nobody requested it and it isn’t really a big deal, is it?
Peloton (1998) by The Delgados
This is some really solid indie pop, full of strong melodies with those classic boy-girl vocals that so many people love.
Bookends (1968) by Simon and Garfunkel
Simon and Garfunkel were one of the groups I listened to more than most when I was in my childhood/tween oldies phase. I want to blame that for why I have such a hard time with them as an adult but I think it’s mostly because I find Paul Simon to be perhaps the most …
Mark Hollis (1998)
Given how world-changing the final Talk Talk albums were, I guess we could be forgiven that Holli’s solo debut (and only record to this point) would somehow also be world-changing. I think there’s a natural desire for us to believe that artistic innovators will always be innovative, and always to the degree that they were …
Morning Phase (2014) by Beck
Beck and the critics both seem to agree this is some kind of spiritual sequel to Sea Change. Now, I’m not sure I would have set what I’m going to say had I not read that, but I suspect I would have.
Urban Hymns (1997) by The Verve
I have made no bones about my dislike of Oasis, a band nearly everyone else seems to love (or at least enjoy). I don’t like their songwriter’s songs, I don’t like their sound and I find their biggest hit to be poorly produced. So what the hell am I supposed to do when I have …
Homogenic (1997) by Bjork
It’s been a while since I sat down and listened to all the Bjork records I own at once time so you should really take what I say with a grain of salt because, maybe if I had done that recently, I wouldn’t be so damn blown away by this record. But, without having listened …
Scratch My Back (2010) by Peter Gabriel
When I was young, I had a problem with interpretive music; for my idealistic self it suggested a lack of creativity, a lack of artistic will, or something like that. (I definitely had a bit of an obsession with the idea of The Artist as a True Individual or some shit.) Over the years my …
Set Yourself on Fire by Stars (2004, Arts & Crafts)
I have a real problem rating these guys. You see, I saw them live before I ever heard their music. And well, if you like live music, I’m not sure you want to see Stars.