I came to Scott Walker via The Drift over a decade ago. In that time, I’ve not find the time to listen to his earlier work but I’ve read a lot about about it and I saw that documentary (which I didn’t love). From reading about him, I had some idea of what I was getting into, but coming at someone like this backwards means that the listener is in for a rude awakening no matter how much they read. Read More
My whole life I’ve sort of wondered why “Beds are Burning” was a hit (it topped our chart when I was 6). I never liked the song but I never listened to lyrics. Read More
The UK has a long, weird tradition of hilariously opinionated and antagonistic rock front men who bash other musicians and other people and then make wussy music; the Reids, Morrissey, the Gallaghers (I’m sure there are many more). That shouldn’t matter, really, but I find it harder to accept pop music (and poppier rock) on its on terms when the people make it are assholes and have massive chips on their shoulders which they want the world to know about. I mean, if you’re going to be a dick in the press, make punk music or metal or something fitting… Read More
1987, Contemporary R and B, Dance Pop, Funk, Music, Pop, Pop Rock, Pop Soul, and Synth Funk.
I grew up with “Fat” and have a hard time separating the real song, the title track of this record, from its parody. But I haven’t listened to “Fat” in so long. Listening to Bad for the first time (and to the remaster, no less), I can’t help but wonder, “does “Fat” sound this terrible too?” Read More
I have had a hard time finding this album online; Google Play doesn’t have a license for the early Def Leppard stuff (just their later, better stuff!!) and YouTube is missing a bunch of songs. So I probably shouldn’t review it. But I can and I will. Read More
I have read a lot (perhaps too much) about the way this album was made, and the rather drastic change in Cale’s method that was part of the process. Maybe reading about that created an image in my mind that this album does not live up to. If that’s so, it makes me sad. Read More
As someone is absolutely not a fan of synthpop, this works better, as expected. Read More
After a year’s hiatus, the Wolfe Island Music Festival returned and I resumed my annual pilgrimage to the one and only music festival I go to. I think that, with one major exception, there was a general feeling among our group that this edition was better than the 2015 edition. Read More
I thought this was their big record until I listened to it. It was still (sadly) a pretty big record, but the big hits I was expecting are not here. That means I don’t know these songs. But that doesn’t make it any better. Read More
The first time I heard this was like a revelation. Who was this band? Even though it’s the same producer, this album sounds so much more “rock” than Morning Glory. I thought I might have finally figured out what everyone else has. Read More
I am listening to this for my podcast. (Well, not exactly this album, but close. I’ll get into that.) But I don’t know what to do with it for a number of reasons. I don’t like pop music like this and I don’t spend time listening to it. Here are some reasons why: Read More
Full disclosure: I did not want to listen to this. I don’t love The Beach Boys and have generally been annoyed by the Brian Wilson-worship that has bubbled to the surface over the last few decades. Of all the likely listeners of this record, one would expect me to be among the least fair. Read More
1972, Drone, Electroacoustic, Electronic, Electronic Music, Music, Progressive Electronic, and Space Ambient.
Learning that this man is the former drummer of Tangerine Dream and Ash Ra Tempel sort of puts your expectations in a certain place and, at least for me, that turns out to the wrong place. Read More
What do you do with an album named after a track called “Back Stabbers” when much of the album is about making the world a better place? I don’t know. Read More
This is an excellent covers album featuring mostly (but not entirely) fairly radical interpretations of two Beatles songs, a Zombies song, an Impressions song, a Supremes song, a Cher song (made famous by Nancy Sinatra) and a song by artists I’ve never heard of. You must admire these guys for the breadth of these covers, showing an interest in music that is wide-ranging. Read More
It’s hard to know what to do with this weird pseudo “duet” album which, in many ways, set standards for duet albums going forward. Read More
1997, Avant rock, Experimental Rock, Jazz Rock, Latin Alternative, Latin Rock, Music, and Ska.
In 1997, I fell in love with Grosse Pointe Blank, the only romantic comedy that was violent enough for my 15 year old soul to feel okay about liking. I liked it so much I went out and bought the soundtrack. (Well, the first soundtrack as there’s a Volume 2 I never purchased.) It was the one of the few contemporary albums I owned at the time (everything else was Beatles). On that CD was a song called “Matador” by this band. Read More
1997, Alternative Dance, Big Beat, Breakbeat, Breakbeat Hardcore, Electronic Music, Electronica, and Music.
Like everyone on the planet I have heard the three singles more times than I can count. The only reason those tracks don’t sound so dated is because I’ve heard them so much; they were so much a part of my late ’90s high school life even though I didn’t even understand what electronic music was. Read More
The problem for me with black metal is that it generally always sounds the same. The black metal bands I’ve heard just do black metal (or melodic black metal, or whatever) and that’s that. They are content to release 50-60 minute onslaughts of one sound and leave it that. Read More
1992, Alternative, Alternative Rock, Glam Rock, Jangle Pop, Music, Pop Rock, Rock, and Rockabilly Revival.
I hate Morrissey, both personally, as I find him an objectionable human being and cannot understand why anyone would find him charming, and musically, as I find The Smiths really underwhelming and Morrissey’s solo music (that I’ve heard) to be hilariously middlebrow for someone so full of attitude. Morrissey talks a lot about a certain type of music and then makes music very different from that. He basically doesn’t walk his own talk. And his music is boring. Read More
This album has a reputation for being some kind of sort of pseudo sell out thing, which is something that only the ’90s alternative scene could have ever ascribed to an album this uncommercial. But Butch Vig is here, and there are recognizable songs, so it must be a sell out! Read More
This is the first Ministry album I’ve ever heard. It’s also the first industrial metal I think I’ve ever heard (at least as an adult) and I must say that it sounds pretty much exactly as what I imagined it would. That’s a good thing, I think. Read More
Full disclosure: my favourite Grindcore band is Anal Cunt, because they are a joke. Grindcore has always struck me as a joke, or at least something easily turned into a joke, because of the brevity of the songs and the over-the-top nature of the music. But there are and have been tons of grindcore bands and lots of people like it. And I believe that there are no bad genres. So, there must be something to grindcore. Read More
Every time I listen to Priest I get a different feeling than I do with their NWOBHM contemporaries (I am not saying Priest is NWOBHM), and that is that they are a little more concerned with selling records. Maybe that’s because Priest were always interested in doing that (I have never heard any of their early albums) but Priest always strikes me as more accessible than Maiden or some of the other bands of this era. There’s just something about them. Read More
Though I haven’t heard the couple previous albums to this one, this still feels like a pretty big stylistic left turn for Costello. The production and arrangements are both noticeably different from the first Attractions record (or his first few solo albums). It’s a brave move (if it is indeed a move) as he could easily have just put out a new set of songs without deliberate messing with his style. Read More
Though this is considerably more traditional and tied to “classic rock” than The Saints, I like this a lot more. Read More
I understand that this record is considered a landmark in the “socially conscious” soul and funk of the early ’70s – it has completely outlasted the film it was ostensibly created for and (I believe) is often held up as Mayfield’s greatest achievement. Read More
1972, Blue-Eyed Soul, Chamber Folk, Folk Jazz, Folk Rock, Jazz Folk, Music, and Singer Songwriter.
When Morrison is on he is like few other performers and songwriters – he creates this seemingly effortless blend of so many things that we never would have expected would go together and he makes it all sound organic, as if his genre-blending was the most normal (and obvious) thing in the world. Read More
I don’t know what to do with vocal groups. Most of my music-listening life I have been more impressed with the ability to play an instrument well than sing well. So when I listen to a record where the vocalists are all credited but the players aren’t really, I already get muddled, regardless of the music I’m listening to. I just don’t understand the obsession with vocals above all other things. Read More
1972, Americana, Art Pop, Cabaret, Cabaret Rock, Music, Show Tunes, and Singer Songwriter.
Ackles has a really idiosyncratic style, combining the confessional storytelling of other songwriters of his era with a huge does of musical theatre, particularly cabaret and American musicals, with borderline novelistic lyrics. It’s a weird amalgam that mostly doesn’t just work but wows. Read More